Don, put a profile on the RE with a ducked octive up that kinda sounds like feedback. I guess it would depend on how long you need to sustain the note.
Thnx.. The feedback is for ending a solo, not to long
Don, put a profile on the RE with a ducked octive up that kinda sounds like feedback. I guess it would depend on how long you need to sustain the note.
Thnx.. The feedback is for ending a solo, not to long
Thnx.. The feedback is for ending a solo, not to long
you can add ducked long Hall reverb with a high mix to the ducked octave effect to make it even more dramatic!
you can add ducked long Hall reverb with a high mix to the ducked octave effect to make it even more dramatic!
Wow thnx! I definitely want to try
The Profiler may provide some "virtual feedback" on high gain sounds by using the chromatic pitch in front of the stack. I combine it with a compressor for infinite sustain before the pitch. The pitch uses the ducking feature so the harmonies come in after the attack of the initial tone has decreased in volume. Create a patch using these settings with the Stack and fx you use for your lead tone, so you can kick the "feedback" in on the end of a solo. A Delay with high feedback setting provides an "infinite" feedback.
Settings as follows:
compressor:
Intensity 7.8
Attack 2.1
Squash +5.0
Mix 100%
Volume 0.0
Chromatic pitch:
Voice 1 pitch 24
Voice 2 pitch 19
Detune 2.3
Voice mix 0.0
Mix 60%
Ducking +1.8
Volume 0.0
EDIT: changed ducking value for pitch
You could also split your headphones signal and mount a robust pair of high level headphones on a mic stand. If you want feedback, just move your guitar pickups towards that headphones and you should be able to archieve feedback in a very comfortable and controlled way.
This is how I added feedback to an old POD 2.0 demo I did. Took my headphones and held them up next to the PUs.
I also play with in-ear monitoring and without a cabinet. I use a Moog Guitar when I need feedback, it sounds very beautiful and natural, and it rocks!
But the Moog guitar is expensive, has a very bad signal to noise ratio (the electronics hiss A LOT), and the pickups sound muffled.
For me it's just an expensive one-trick pony - ok, you have this cool moog filter, too...
I forgot to mention this is yet another potential use for my requested feature of being able to assign any KPA parameter to an expression pedal on a rig-by-rig basis. See 18:18 of this video for an example of how the POD HD500 can simulate feedback using the harmonizer:
I do the same thing with my RP355 on the Floyd song Don't Leave Me Now.
I forgot to mention this is yet another potential use for my requested feature of being able to assign any KPA parameter to an expression pedal on a rig-by-rig basis. See 18:18 of this video for an example of how the POD HD500 can simulate feedback using the harmonizer:
I do the same thing with my RP355 on the Floyd song Don't Leave Me Now.
You're right. +1!!
You gents have just been wiKPAed
I forgot to mention this is yet another potential use for my requested feature of being able to assign any KPA parameter to an expression pedal on a rig-by-rig basis. See 18:18 of this video for an example of how the POD HD500 can simulate feedback using the harmonizer:
I do the same thing with my RP355 on the Floyd song Don't Leave Me Now.
As we wait for that implementation the ducked Pitch shifter may help out. I amazed my Bandmates with infinite feedback without a cab pumping air .
my try´s to create feedback-rigs
https://www.dropbox.com/sh/rldlrg7qllqix3v/HNkNtRvxmT
with the wha-pedal you have to modulate the feedback
Got myself Last week a Boss FB 2. It's a booster and Feedback in One stompbox. Get to the Tone you want and press the Pedal and the Feedback Kicks in. As Long as the pedal is pressed, the Feedback lasts. Reacts to vibrato. Will work with the Kemper! Not Really New but it Works! 99€ Price Tag.
http://www.rolandconnect.com/product_2011-09.php?p=fb-2
Works for me Fine.