dry signal parameter in delay section

Why?

I assume to have one side wet and the other dry in a stereo system, similar to the Roland Jazz Chorus principle of one side unmodulated and the other modulated.

Plus 1

Same with reverb, But a pan knob for both would be better...

For recording stereo tracks (ala EVH, page etc) or getting that vibe live. Would be killer

EVH and Page recorded with one stereo side delayed? Which recording?

You could do this I'm thinking by using different outputs. For example, monitor out and just the right side of the main output. Set one output to stack and the other to master stereo. This should get you one dry signal and one with delay and reverb.

Quote from ckemper

EVH and Page recorded with one stereo side delayed? Which recording?

Unchained? While lotta love? About a million other tracks where there is one guitar heavily panned to one side and a reverb and/or delay in the opposite channel

Quote from nightlight

You could do this I'm thinking by using different outputs. For example, monitor out and just the right side of the main output. Set one output to stack and the other to master stereo. This should get you one dry signal and one with delay and reverb.

yes but this cannot be changed on a per patch basis to my understanding. A pan control for the dry channel and separate one for reverb/delay would be amazing for pulling off recorded tones live. Add a half decent doubling effect (like I was able to get on my boss gt-5 using the harmonist to simultaneously and independently delay and pitch shift the left and right harmony signals by a few milliseconds/cents and balance the volume of the direct sound with the harmonized sound ) and it would have everything I could need in a 1 guitar live situation