That's a blanket statement and I simply disagree. As I said the verb isn't just about tails or "depth" and location, but about how frequency response is perceived, the Kemper doesn't compensate for psychoacoustic effects. A dry tone is a great tool but not the only tone. If that's all you and your audience need then more power to you, please don't assume the same for others though.
I like fidelity. I didn't get a Kemper because I wanted to profile anything. I actually got it because I cannot record at full volume and it was the best sounding digital amp, because it sounded better than the competition. Closer to how real amps sound, closer to how they feel, closer to their gnarly glorious dirty imperfection. Further from the pristine digital deadspace. It is however not perfect.
That is a shame given that it is uniquely positioned among existing digital amps in terms of hardware to overcome and get that much closer to perfect reproduction of the imperfect.
I'm sorry to take it out on you, but I really have tried all this stuff and I just feel a little frustrated at this point. It's not your fault, so I apologize. I know that if you have to do something long enough then, well, eventually people assume that a workaround is the actual optimal workflow. I'm not there. I don't feel that dangling a mic in the room to record a Kemper while I have the actual amp right next to it makes a whole lot of sense (even if I have done it ever since I got one of the second batch way back when). Given the Kemper's hardware I also question - Why logically in this world when I have a unit sitting on my desk that literally is designed to make impulses and capture and process responses, I am applying a convolution reverb using IR files made elsewhere to the tracks it outputs in a DAW?
I simply want the best for Kemper. I am invested. It is therefore the best for myself. I want to make distant mic'd sounds that actually sound like my own amp does, warts and all. I want better. Everyone should. It's wanting better that drives invention and innovation, it's what gives you cars rather than faster horses. It's also caring. Something else I've learnt from product development : once you're left with only people that think your product is perfect - you are doomed.
Regardless though Christoph has responded, put his proverbial foot down and said he has no intention of ever implementing anything like this. So it's a moot point. The KPA is what it is now and must be accepted for what it is with its own imperfections and limitations, and I'll just continue to use conv verb in my DAW and find a hardware solution if I ever use it live. That's the sound that I like, I'd have liked to have the sounds of the various rooms other peoples profiles have been made in, but that's not going to happen.