I haven’t checked and am not near my KPA just now but I suspect not. Ratio doesn’t really make logical sense in a tap tempo situation (at least to Kemper’s logic). The assumption would be that if you are using tempo sync you are looking for a musical relationship (1/4, 1/8, dotted 1/8th etc) therefore you would also want the second delay to have an exact musical relationship in terms of note duration rather than trying to approximate a note relationship from a percentage figure.
he assumption would be that if you are using tempo sync you are looking for a musical relationship (1/4, 1/8, dotted 1/8th etc) therefore you would also want the second delay to have an exact musical relationship in terms of note duration rather than trying to approximate a note relationship from a percentage figure.
OK... but I'm not agree with that.
What I would like to do is for example: left delay 1/4 sync with tempo , and right delay set to ratio 95%. With this I create a stereo wide delay. I make this with helix, headrush, fractal, etc...
Dual Delay of Kemper hallows me to set the sync time (1/4, 1/8, ecc...) for each delay (L and R) individually... but it is not the same thing....
I will check again
Quote from From the manualDisplay MoreDelay Time & Delay Ratio
If “To Tempo” is not engaged, then Delay Time controls the absolute delay time in milliseconds. The maximum delay time is 2000 ms. As you dial through the delay times, you will notice the change in pitch, typical of tape-speed changes in a tape delay.
In several delay types, you will also find a setting for “Delay Ratio”. This soft knob sets the time (in percentage) of the respective delay taps relative to the sole Delay Time found in this delay type. Thus, when the Delay Time is changed, all the dependent delay taps will change their times as well, according to this ratio. This means that if you change the pattern length using the Delay Time parameter, the rhythm pattern created by the multiple taps is always maintained.
Note Value
If you activate the To Tempo option, then the controls for Delay Time or Delay Ratio change their identifiers to Note
Value. Now, the delay times are set in note values, and will therefore depend on the actual tempo.
The tempo can either be tapped with the TAP button or determined automatically by the Beat Scanner, activated when you press and hold the TAP button instead. Please learn more about the tempo capabilities in the chapter Tempo.
When you change Note Values, the transition to the new values will happen seamlessly without pitch changes or other side-effects.
if it is just to create a widening effect surely it doesn’t need to be exactly 95% just approximately that value. 15/16 notes would be 93.75% which is close enough to 95% for a general widening. Alternatively, 31/32 would be 96.85%. Not sure if the KPA goes up to 64th notes but 61/64 would 95.%.
Most people would tend to want the delay to remain constant for a widening effect (ie not be tempo dependent). For widening you might be better using one of the widener effects in conjunction with a regular delay.
Ce fameux kemper offre t 'il la possibilité de telecharger des sons The Shadows ? Le Boss ME 80 le fait j'avoue que c'est assez ressemblant, mais je serais curieux de savoir si le Kemper le fait et surtout mieux ??
Ce fameux kemper offre t 'il la possibilité de telecharger des sons The Shadows ? Le Boss ME 80 le fait j'avoue que c'est assez ressemblant, mais je serais curieux de savoir si le Kemper le fait et surtout mieux ??
Oui/Yes!
The signature delay patterns of Hank Marvin and The Shadows
Here are the Rigs from Rig Exchange:
if it is just to create a widening effect surely it doesn’t need to be exactly 95% just approximately that value. 15/16 notes would be 93.75% which is close enough to 95% for a general widening. Alternatively, 31/32 would be 96.85%. Not sure if the KPA goes up to 64th notes but 61/64 would 95.%.
Most people would tend to want the delay to remain constant for a widening effect (ie not be tempo dependent). For widening you might be better using one of the widener effects in conjunction with a regular delay.
Hi...
So... last Friday I tried it... but doesn't work properly....
61/64 and 31/32 doesn't exist.
15/16 make one "tap" every 15 beat on 16... in practice 15/16 means 6,25% and NOT 93,75%....
so the second delay is too long.
Only solution, I think, is asking to kemper to add "ratio2" parameter also for synth tempo delay...
Hi...
So... last Friday I tried it... but doesn't work properly....
61/64 and 31/32 doesn't exist.15/16 make one "tap" every 15 beat on 16... in practice 15/16 means 6,25% and NOT 93,75%....
so the second delay is too long.
Only solution, I think, is asking to kemper to add "ratio2" parameter also for synth tempo delay...
OK so n that case if 15/16 is 6.25% then you want the inverse i.e. 1/16 or faster. Not at the KPA just now but pretty sure that you can get shorter than 1/16th so you should be fine.
You can ask for ratio to be added but I would bet the house on it that they won’t do it as it makes no logical sense in their minds.
