Please save the word "Genius" for more genious things, or maybe for Cliff.
Wish for constant internal latency!
- r_u_sirius
- Closed
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Please save the word "Genius" for more genious things, or maybe for Cliff.
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LOL!
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Please save the word "Genius" for more genious things, or maybe for Cliff.
Now that's the spirit!!!!
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Please save the word "Genius" for more genious things, or maybe for Cliff.
Lol! Ok, you're our Guru, then.... Ohmmmmmmmmmm.......Herzzzzzzzzzzzzzzzzzzz.................
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Please save the word "Genius" for more genious things, or maybe for Cliff.
Ok then, with regards to responding to user requests we'll settle for genialness... (Puntastic...)
Seriously though, massive thanks to CK and the team for this one.
Goes to the heart of this unit's main strengths as a great amp box. Wondering what else they have in store for us in later updates... -
Watch it guys, Will_Chen might get upset and put CK on his ignore list for being politically incorrect!!!!
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I'm so glad CK is the way he is, probably appreciates a thanks but doesn't get off on being worshipped like a god by followers wearing robes and sandals with pale white skin and acne....
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We have a hidden solution in the new public beta 1.60.
Only update, if you are not having an important studio or live job.Go to Output/Master menu, last page. Press soft button 4. It will light up. No message on the display.
Now the profiler is on constant latency. Stays there until you press that button again.Background: the profiler adapts to the lowest latency possible. That is individual per rig. This will create latencies around 3 ms. When you light up that button, you will get a higher but constant latency of about 4.9 ms.
Please consider the following fact: there is only one single condition where a constant latency is required - when two (or more) profiles are fed by the identical audio source. In this case the variable latency can yield to different phase relations.
I can only think of two situations where this happens:
1. Reamping and mixing the profiler more than once by using the same guitar track for reamping. That is the situation showed by some of you.
2. Playing two or more Profilers at the same time by splitting the guitar signal and feeding both/all Profilers with it.Please add it to the list, if you can think of more situations.
The classic doubling of tracks is not an issue, because you play the guitar individually per track.CK
many many thanks!!!!
The two situations you mentioned are the ones that come to my mind, too. They are not exactly uncommon in studio work and for multi-amp live amplification. So there´s no need to hide this function!again, thanks a lot for adressing this issue!!!!
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This should be documented in wiKPA.
Thank you CK. -
Already done... of course! Will be available in the next issue
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For whatever technical reason... this is what fixed any/all problems I've been having. I want to utilize my 4x12's but whenever I would turn the cabinet button off, it would sound waaaay tooo bright and staticky. But now it sounds very genuine and chuggy, also, more dynamic and responsive!
CH
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For whatever technical reason... this is what fixed any/all problems I've been having. I want to utilize my 4x12's but whenever I would turn the cabinet button off, it would sound waaaay tooo bright and staticky. But now it sounds very genuine and chuggy, also, more dynamic and responsive!
CH
May I ask if that better sound can be switched off and back on by tapping this soft button?
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May I ask if that better sound can be switched off and back on by tapping this soft button?
similar behaviour here, once i pushed the constant latency for the first time, it changed the sound (sounds better now, smoother, bit more midrange, less fizzy, sounds better )
after that first time, no more changes if you switch in on and off .
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similar behaviour here, once i pushed the constant latency for the first time, it changed the sound (sounds better now, smoother, bit more midrange, less fizzy, sounds better )
after that first time, no more changes if you switch in on and off .
Same here. Once i pushed the button for the first time, there was a change in sound but it did not turn back. After a reboot i cannot reproduce it, the sound then stays the same.
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What I'm experiencing here is just a kind of hickup when you switch it on the first time after accessing the Master menu, if you switch back and forth it doesn't happen anymore, but you can repeat it exiting the menu and going back in, but in my opinion the sound doesn't change, and the proof is that it does not change back when you switch the fixed latency off...
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When you switch off constant latency, you will not hear that hickup.
Wait a few seconds before switching it on, then you can hear it again.Sorry to disappoint you, but that switch does not change the sound, only the latency.
No improvement in the mid range -
I finally remembered this fix when I've been fighting with latency for the past 4 hours when reamping.
I pressed the button, button lights up, aaaand the phasing is still there, completely randomly. What now? Starting to get really frustrated.
Running 1.8, trying to reamp the same di through two different profiles.
Do I need to go back to 1.6 to make this work?
Edit: I got rid of the random phasing, problem is, to my knowledge I didn't do anything differently.
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Now try to reamp some KPA profiles from one source DI track - you will end up with random phase shifts. This means the two or more reamped tracks will not be in phase and randomly change their sound when mixed together!You can record a DI track and a profile sound tracks via SPDIF at the same time on the left and the right channel. Try to use the DI track to reamp an additional KPA profile sound. It won´t be in phase to the initially recorded track.
(interesting question: are the left and right channels in phase? I have to test it....)Hi,
Im having similar inequities when using the digital I/O, and Im thinking it comes back to no way to properly clock the KPA.
I did not read all 6 pages of this thread.
But IF your complaint of phasing is when you trying to reamp a number of tones from the same DI signal, and youre doing it all digitally, it may just be the fact that there is no way to clock the KPA when sending the signal back to it via the SPDIF input.When using the KPA in the digital realm, the "pitcher and catcher" are not truly synced like the way they should be in a professional, digital studio.
Just because a user is not getting loud clicks and pops, the overt artifacts associated with a poorly clocked system, dosent mean more subtle problems arent occurring.
Like the problems Im getting, and I think the OP is having as well.all the best.