Alan, I did experiment quite a bit in these days.
as said in my first post, my timbres (all commercial profiles) cut the mix so easily and the guitar, both solo and rhythm, is there: crisp, definite, and all the rest.
Only, this crispness makes me pay super attention when I play solos. In other words, kemper timbres I use don't forgive any tiny mistake. I guess everyone have had the experience with amps that seems so easy to play solo with. Right? I wanted to achieve the same thing with the kemper.
So, back to the experiments...
The best results I achieved were lowering the presence potentiometer almost to nothing. This might sound outrageous, but this is something that was used with amps.
I was using amps, and the timbre was too thin and high in tone, instead of lowering the trebles (which can modify the amount of distortion) I lowered the presence. Someone told me they even put it to 0 and add trebles to make it suitable.
I tried the same with the kemper: put the presence at something close to 0 and compensate the lack of high with the trebles.
I don't know why but now the solo notes in my hands are a lot easier to play and am starting to achieve what I was looking for.
So, I ask you to double check this experiment to see if this is me only or do you reckon the same thing.
FYI I achieved my best result with a Top Jimi 78 Marshall.
On a side note, it is strange to see that the presence leds are all the way (or almost all the way) to the right, but since I have the tone, who cares, right?
Let me know your comment