Posts by djdyer

I agree that tapping the rig switch 3 times to get the last-used state rather than the saved-state ( 1 click) is not ideal, just could not think of a better way. It would be nice if we could have a way to toggle between saved state and last-used state so that 1 click could have two results. However, I would not want to dedicate one of the remote buttons to just to doing this as I am using them all for other things.

Switching rigs on the remote currently uses saved-state for each rig, not the last-used state. So any stomps/effects that had previously been in a different state when the rig was last used will be reset to the saved state when a rig is selected using the remote. 90% of the time that is exactly what I need so I would not want that to change. But it would be nice to have the option to switch to a rig in the last-used state using the remote. For example if i am using a clean rig with chorus switched on for the verse and a crunch rig for the chorus it would be useful to be able to return to the clean rig with chorus switched on for the next verse without needing to firstly select the clean rig and then tap a seperate switch to turn the chorus back on again.

This could be achieved by tapping the rig switch 3 times within 2 seconds to indicate you want the last-used state. The rig switch click sequence (no taps within 2 secs) could be...

1 click - unmorphed saved-state

2 clicks - morphed saved-state

3 clicks - unmorphed last-used state

4 clicks - morphed last-used state

The last-used state is currently the default when switching rigs on the Profiler buttons.. so the last-used state it is currently saved in the system. There just needs to be a way of indicating that you want the last-used state on the remote.

Quote from Wheresthedug

I kind of like your thinking but I still believe the best way to achieve this sort of flexibility would be to allow multiple morph groups. This would allow everything you want plus a whole lot more and would preserve the ease of use/workflow of the existing system.

Imaging is you had 4 morph groups. You could replace the current Wah/Volume/Pitch/Morph pedal structure with a simple Morph A/B/C/D (plus a fifth second push on rig button) system. The current setup would be preserved for rig consistency by a Legacy pedal option (like Legacy Delay etc).

I can appreciate the working with multiple morph groups could have been very confusing on the old hardware screens but with Rig Manager editing and colour coding of each group it could be implemented very cleanly.

Agreed that would work too. I'm guessing this would require a bank of expression pedals, one for each morph group? I'm all for any update that provides more flexibility out of a single rig.

For live use with rack/head + remote ( or stage) I would find it really useful to be able to have the option of A and B settings for each stomp/effect as well as the non-morphed and morphed settings. For example I would use the A & B settings to switch between a gentle chorus and heavy chorus effect whilst still being able to use morph to switch between rhythm and lead settings for each rig. Each stomp/effect would have 4 settings :

Non-morphed A

Non-morphed B

Morphed A

Morphed B

Switching between A & B would be done by the remote. Assign a stomp/effect to a switch and then use the switch to toggle between off/A/B . This would only be an option if one stomp/effect is assigned to a switch.

Off/A/B switching would be enabled automatically when a single stomp/effect is assigned twice to the same switch.

I appreciate that all this can be achieved by creating more rigs and more performances, but I like to keep things simple on stage by using just one performance with 5 rigs that cover all my needs. I therefore would like to get as much variety as possible out of the 4 stomp/effect switches for each rig.

Stumbled across this video on Youtube. Pretty thorough comparison of old and liquid profiling results. This suggests that one liquid profile of an amp will not be quite as good as taking several liquid profiles at different amp gain settings.

Live festival recording, with MBrit AC15 + vintage chorus & delay in the main part and Bert's BE100 for the solo.

Could we please have the option of linking two stomps/effects to a single remote stomp switch with the sequential switching sequence of All off ->A on (b off) -> B on ( A off) -> All off. I would find that very useful. Thanks.

Additional note:

An example of how I would use this to have No chorus -> Light chorus -> Heavy chorus on a single switch. So ideally this Off-A-B switching option on the remote would also enable a second A-B morph option for a single effect that is assigned twice to a single switch. I am already using morph on all my rigs to change from rhythm to lead.

would be nice if you could (say) press a rig switch once to get the saved rig setup and 3 times within 1 sec to get the last used setup with stomps/fx as you last left them. 2 presses remaining as morphed.

+1 for this useful upgrade.

Quote from Franjoe30

That's a fab live tone, did you go direct to the PA?

Brilliant singer too

thanks. We run a silent stage with E-drums and both guitars direct to the p.a. via kemper & sans amp. Makes set up so much easier, and gives a great live sound. Also very handy for getting good live recordings!

Clip from Saturday's gig with Twist of Rock of AC/DC Highway to Hell. I used a profile from Bert's Friedman BE100 pack.

Would it be possible to have the option per rig to trigger morph/unmorph by doing something unique at the guitar? For example, switching from bridge to neck pickup and back within 1 sec, where the kemper detects a rapid tone change and back again. This would allow a wireless roaming guitarist to morph to a lead tone without returning to the remote.

Anyone managed to set up a wireless system to allow morphing from a button on the guitar? I'm moving to a wireless guitar connection so just wondered if I could avoid returning to the remote each time I want to morph to my lead settings.

global transpose in the input section with operation from the remote would be a big help. Also an update to the transpose coding to improve it for clean rigs.

I'm finding the rig transpose function very useful, but find that for clean and edge of breakup rigs the transposed tone is rather dull and has an odd tremelo effect added. I'm tuning down max 3 semitones. Tweaking the EQ of the rig only partially solves the dull sound. It still has a lo-fi feel. Adding chorus masks the tremelo effect a little. I've tried using the alternative pitch shift stomps, but the result is seems the same. Anyone have any recommendations?

Keeping my wish list to just those things that would help me most with live work :

- Global transpose on the input section, operated from the remote/stage when in tuning mode

- Global morph volume increase in the output section. Like a lot of people I use morph exclusively for lead boosts and the amount of boost needed varies with the band I'm playing in. 3 piece = 3 db, 4 piece or more = 5 db. So a single setting to change the morph boost on all my rigs would be extremely useful.

- Add the option to set the stomp switches on the remote to Off/A/B sequence. So for example we could have 2 types of delay (A & B) set to a single switch and have them both off, or just A or just B. So you would toggle Off -> A -> B -> Off etc . This would greatly increase the usefulness of the 4 stomp switches.

Bump for this in the hope that it will get some love and attention.

Here's a previous thread on this subject with a proposal for how this would work.

Global transpose with operation by remote

We recorded a recent gig with a decent variety of guitar tones required, which come from a single performance and my trusty Ibanez AZ. Youtube playlist below.

https://youtube.com/playlist?l…keeYGDuA-I2_0O755lfmTnO0T

I'm using a rack with remote & expression pedal to morph each rig to a lead volume with extra delay & gain. Straight into the pa with in ears for monitoring.

Rig 1 = Acoustic sim from the rig exchange (see black velvet and the middle section in Hit me baby one more time)

Rig 2 = Clean tone. Vox AC15 from MBritt pack 2. ( See Moves like Jagger)

Rig 3 = Mild break up. Vox AC15 from Mbritt pack 2. ( See Footloose & Alright now on bridge pickup & Black Velvet on neck pickup)

Rig 4 = Modern low gain. Friedman BE100 from BM profiles. G4. ( see Simply the Best)

Rig 5 = Modern high gain. Fiedman BE100 from BM profiles. G10. ( See Sweet Child & Livin on a Prayer)

Enjoy!

Could we please have a global transpose function in the input section, same as we now have in the rig section, with the ability to control the global transpose setting from the remote. To operate using the remote you would click the tuning button then use the rig up/down buttons to shift up/down in semi-tones whilst in tuning mode.

I know thus has been asked for before and that there are workarounds using a locked stomp for all rigs and also creating extra copy performances with the rig transpose setting adjusted. But neither of those solutions are very neat.

I work live with quite a few singers and frequently need to drop to Eb or D on the fly and without fiddling with the Kemper, which is in a rack at the back of the stage. So the ability to globally transpose all rigs & performances from the remote would be a big help.