Those similarities we touched on off the board continue to accumulate, Anthony.
SSD4 is the only drum VI I've bought, and I grabbed it on Black Friday last year, when it appeared (the last time it did so) for exactly the same price as it is now, its lowest-ever.
Don't know about the license-key thing 'cause I haven't looked at it since then, but I did spend a month trying to sort mine out 'cause my cousin's name appeared in the GUI of the plug instead of mine 'cause he bought it for me due to the fact that I couldn't buy online at that stage. Support sorted it out for me, so if you have any issues, they'll be able to mail it to you or create a new one and send it, as they did for me.
I too am keen to hear any tips folks have to offer, so please feel free to expand, Raoul!
Two things I'd love to know:
If I configure a kit for multi-out use, how do I set things up so all kits work this way? Obviously it's counter-productive to have to set things up every time I audition a new kit; the overall sound changes too much if things suddenly revert to plain ol' summed stereo.
All my tracks will be mapped as per my TD-30 brain, which I play from a keyboard whilst using an FD7 (just like a wah pedal) for HH open / close control. All my kits on the TD use 4 toms, which I've programmed all my songs since the late '80s to use. Any thoughts on how to set the VI up to most-easily work with my M.O.?
This stuff's all academic for me at this point as I'm nowhere near being able to record yet, but as I slowly add critical parts to my setup, I try to set them up so when the starting gun fires, I can get to tracking and mixing straight away with hopefully minimal fuss...