Awesome! Congratulations on your anniversary and all the fine work you've done, Andy.
Mate, I've only had my Kemper for 2 weeks and already I have the classic modern-day problem of having too many choices (8000 profiles all up, I think). With this in mind, I tried to figure out what it would cost to purchase all your profiles in one go, 'cause I figure if I could grab the M.Britt packs and yours I'll be able to wipe everything else and "limit" my choices to "just" yours and his.
I know it sounds like overkill, but I'll be doin' a huge variety of original pop music and would just like to know that I have all bases covered. Good metal tones might be the only shortcoming, it seems, if only because there's comparatively little on offer between the two of you, but if your profiles do the job, all the better. So much for guitar. For bass, I certainly feel short-changed and realise now how spoiled I was with the POD X3 Pro and Bass PODxt, so I live in the hope that you and / or Michael will release a half-decent collection/s of classy profiles that'll nip this in the bud too.
I'm actually very poor (no car, no-entertainment, no-life, starving musician, as they say), and as I said, I tried to figure out what all your profiles would cost, but got very confused between the bundles and packs; I couldn't figure out all the overlaps, for example. I saw no mention anywhere of an "all-in-one" bundle, so figured I'd just ask you here. I'm sorry if this isn't the place to do so. I haven't mentioned the fact that I almost fainted when I saw the prices, so I won't. Suffice it to say that I read from many sources that commercial profiles were "cheap". I can only assume the reviewers and Kemper were talking about individual ones, in retrospect, something that's not an option for me given the task I'm faced with of completing 220+ funk, rock, metal and jazz-infused pop projects. It's a mish-mash, so I feel my palette should reflect this. I've ditched thousands of L6 presets (and the gear) that took many years to programme, so there's a gaping hole there. Once said hole is filled, that'll be it, given that I spent many more years programming thousands of synth sounds prior to this. So you see, the final step, its breadth, depth and quality really depend upon the sort of deal I'm able to receive from you, Sir Andy!
Any feedback is very much appreciated, mate, and thank you in advance, with much love from Down Under!
Nicky