no but there is an option to Lock Volume pedal which will apply the settings to every rig until you unlock it again.
Posts by Wheresthedug
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Seems to be working normally for me.
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Yes, these are Adam Speakers - type S4XV.
I just love 12" speakers and the Kemper sounds great via them too.I love my little A7x but your puppies are a whole other level
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But even if that's the nature of a compressor to amplify low level signals it should have some audible effect. Right?
not necessarily. It depends on the compressor settings. Remember that the output from the Fuzz is heavily compressed already so the signal may be above the compressor threshold even with the Fuzz volume below 0.
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musicmad That's why Rig Manager on the PC and Mac doesn't have an EQ button either.
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Not even the newer ones? My rack unit's newer than the stage
Don't think so
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You called for imagination in this thread before. Imagine if the toaster and rack DO have a wireless module and we didn't know it???
That would be cool.
They don't. Kemper have already confirmed it
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Tone is incredibly subjective and one man’s better is another man’s horrible.
I have absolutely no doubt that the Kemper can produce high gain tones that are as good as anything out there. I also have no doubt the AxeFX/Helix/QC can all produce similarly awesome tones. Which is better is simply personal taste. The main reasons to choose one over the other are features and workflow.
The grass always seems greener on the other side.
Just as an example, the most hyped piece of gear on the market just now is the Quad Cortex. So many people have been saying that it captures amps more accurately than the Kemper for both tone and feel/response. However, I watched a blind test video the other day (Tone Wars) where three different guitarists (all high gain players) each profiled an amp of their choice on both the KPA and QC. Then they played each along with a song and in isolation. At the beginning they were all expecting to see the new Kemper Killer reign supreme. However, when the scores were tallied an the amps revealed, all three had chosen the KPA as being closest in sound and feel to the real amp. These were all high gain players testing high gain sounds.
As I was watching the video, I kept choosing the same amp as they did and this became even more so the longer I had to listen. The QC became more and more tiring and ice picky the longer I listened.
Basically, the KPA can do high gain as well as anything its just a matter of personal taste which system suits your needs best. Remember, we are all guitarists and we are all suckers for new gear but in reality the gear we already have is almost always capable of much more than WE are. -
as far as I know all models shate the same audio chip but the Stage has a different CPU
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Ok so now I’m sending master mono to my Boss katana which is there plugged in power amp.
And to be honest now there’s no difference in sound anymore. I’ve tried it with Monitor Cab on and off and tweaked around a bit but not to much because I’m tired as hell.are you sending master mono to the Monitor Output? If so there should be a noticeable difference with monitor cab on/off unless you are using a direct profile with no cabinet to turn on/off.
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The current functionality or lack thereof is only-temporary, I thought Alan.
Logic dictates that they wouldn't remove the separation so many of us enjoy unless there was some sort of enhancement coming.
I think you might need to throw logic out the window Nicky. Burkhard seemed to imply this is a permanent change (like removing the ability to create section presets if you want to use RM editor) but I hope I'm wrong.
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And of course you can also save your preset on Pofiler itself and change its name to your liking.
I realise that but the ability to save and name simultaneously without the need to drag, drop, locate, name really should be part of the RM workflow.
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I think it is not right. You can change the name of presets in the right section of RM. Just rename it in the namefield and leave the field. I wish that return-button on keyboard will do the change but you must leave the field by clicking with mouse in the list in the middle of the screen.
Yes, you can type a name into the right tag fields but do you not need to create the preset by dragging first?
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Yes, Jed is a wise man indeed ?
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I don't know whether it will on it but it seems logical so worth a try. However, if I was in your shoes I would honestly just profile my 5E3 and. Avoid all the hassle. ?
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The question is not so much which output to use but which output SIGNAL to use. You can send most signals to most outputs.
In your case you probably want to send the Master Mono signal. It doesn’t really matter whether you send this to Main Outs or Monitor Outs. However, using Monitor Outs leaves the Main Outs free for something else which generally makes more sense. -
Looks like it's only for the Stage
would be cool if theres a workaround for our old ToastersGiven Kemper’s philosophy of not leaving users behinds and making the user experience as similar as possible across all versions I would be surprised if they don’t have some sort of work around figured out for us non stage users. ???
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Yeah Bryan, but it's only-temporary.
Are you sure about that Nicky? i got the impression from Burkhard’s comments that it was a permanent change but I could have misinterpreted it.
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Armin : Huge 3 way monitors with 12" speakers, I guess you get the right basses
What are these please ?
I’m interested too but they look like S series Adam Audio to me.
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-5 should be totally off and 0 should be normal volume.
Location works like a normal volume control. If you are using a high gain amp it will reduce distortion (gain) rather than volume in the Input position. In the output position it will make no difference to gain but will affect volume. The impact of this is much less with clean signals.
