Generous offering, db. Thanks man.
Nobody's mentioned this yet so I wonder if I'm mistaken, but I always thought EZD was only 16 bit. If this is the case, one would want to seriously reconsider rendering it in a serious mixing situation. After all, we want dynamic drums, right? ***
Thanks!
I don't use the sounds of EZ just because SD2's NYC sound better. I use EZ for MIDI song creation entirely. Great tool. As Ingolf said, Drummer of Logic Pro X is also great in a pinch (if you know how to fool/tweak it to stay true to your song, read up on it)
If it's a quick-n-dirty demo, I would use EZ. Because I can just port the MIDI track to a better VI for more polish.
And who can hear the difference on small speakers or ear buds? I would say no one. I once took 3 separate finished Acid wav drum sets (different reverb, different rooms) and put together a demo that had my former guitar teacher (who is a drummer in the Keith Moon tradition) asking me who played drums for me! If I can fool a pro drummer with a Frankenstein drum track...
But I use MIDI exclusively now. Going back in time, I'm sorry I didn't start using MIDI longer ago, but I don't think the tools were polished enough for quick drum track creation. And I'm also sorry I didn't multitrack because Trigger is useless on those earlier demo's. For Drum parts, I'm always about speed. I don't want to spend more than 4 hours on a drum part. 2 hours preferred. 30 minutes is fantastic, haha. EZ gets me there quicker than any other program to lay down a MIDI part. Although I need the DAW editor for serious tweaking. Take your pick of editor at that point. Even Reaper has come of age for MIDI editing.