I was recently recording some rig tests to see how the tones would work out with my playing and I was wondering - do you guys add the standard High/Low-pass in the kemper chain or add it later via external plugin? Adding it to the chain would make the profiles "mixable" right away. At least for minor tone testing. But then again How does the internal EQ hold up against external plugins such as Fabfilter ProQ or Waves SSL EQs?
EQ in the chain or in the DAW?
- Hannes_ITS
- Closed
- Thread is marked as Resolved.
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In my experience, it's best to get the sound 'in the ballpark', but leave the serious eqing until it's time to mix. Once you've taken something away, it's hard to dial it back in, if at all possible. Generally, a gentle (6-12dB/octave) high pass filter set around 80 Hz is all I'd apply, if anything, just to clear up the subsonic rubbish. however, that's a technique I apply to recording real amps, so take it with however much salt you like...
Cheers,
Sam -
In my experience, it's best to get the sound 'in the ballpark', but leave the serious eqing until it's time to mix. Once you've taken something away, it's hard to dial it back in, if at all possible. Generally, a gentle (6-12dB/octave) high pass filter set around 80 Hz is all I'd apply, if anything, just to clear up the subsonic rubbish. however, that's a technique I apply to recording real amps, so take it with however much salt you like...
Cheers,
SamProbably the best way to go at it!
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Agreed. If you want to save a version of a rig with a Kemper internal EQ to make it generally "Record-Ready", you can always turn the EQ back off, if needed.
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For me, EQ in the Kemper is for getting the tone, and EQ in the DAW is for making it play nice with the other kids.
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For me, EQ in the Kemper is for getting the tone, and EQ in the DAW is for making it play nice with the other kids.
I definitly like that kind of approach! Seems quite logical really