Here's a thread intended to help Andy get an idea of what we would expect from him. Personal wishes, ideas, thoughts welcome. Hopefully, Andy can take our input as a valuable resource for future planning.
So let me start to write my thoughts.
I'm a very happy customer who bought quite a bit of his products. Not everything but still many. I really enjoyed the ride and I'm happy to say theat I've found my favourite amps with Andy's help. So what should I ask for? Well, there's still some room left to buy more. First and foremost more choice of my all time favourite amps.
1968 Matamp (8 profiles only)
Marshall Bluesbreaker LE 50th (10 profiles only) ... I wouldn't mind a nice pack of a vintage Bluesbreaker either
1963 Fender Vibrolux (9 profiles only)
Soldano 100 (11 profiles only)
Apart from these, I'm still waiting for your take on a Marshall Silver Jubilee and a Van Weelden and a Dumble wouldn't be bad either.
My customer profile:
I'm into Blues, Bluesrock mostly
I'm strictly FRFR, so to say. I'm not interested in ANY DI profiles, have never been, will never be. I'm not even interested in Profiling 2.0. But I'm very interested in your ears, your taste, the way you have made rigs before. I even wish you did these separate rigs for LP, ST & TC again. I'm missing them. And let's be honest, Andy. The 1968 Matamp had more than just 8 tones worth profiling, don't you think? And please don't get me wrong, I do NOT ask for 60 profiles trying to cover the whole range of each and every knob. I'm asking for your experience and taste regarding "good tone".
Basically I bought the Profiler because it would give me the most amazing tones without tweaking an hour, without having to combine various speaker/cabinet models with any given amp on my own. I really don't want that. I want great tone (and a little choice). I bought the Marshall Toolkit and the Fender Toolkit. Amazing work, but to be honest, none of these profiles made it into my all time favourites. There are a few Marshall profiles I keep using when needed. But very rarely.
It's a bit difficult to explain, sorry. But I think of it like this: I pay you for the great tone you deliver to my studio and to my ears. I do not pay you for technical features. I might be different in this regard, compared to others, I don't know. But that's what I am and I wanted to let you know. I bought packs from other vendors and I won't tell their names. I'm sure they do a great job for many, but I keep coming back to your work from 1 or 2 years ago. I can't explain well, why this is. But even if they provide VERY interesting amps, they just don't sound right to my ears. Something that is very very different with your rigs, at least those mentioned above and the ones which still had this LP, ST & TC versions.
I'm probably not the guy who will continue to buy large quantities of rigs. Saturation was mentioned in another thread. This isn't 100% the case yet. But I'm geting closer to it, of course. Still ready to buy a few real gems.
Generally speaking, I think this "saturation" issue is something to consider. Nobody needs another 10000 rigs if he already owns 10000 rigs.
But there are many many new customers of the Profiler. And they need some help to choose. They are still looking for a couple of truckloads full of nice amps. How about giving them some food and start doing some beautiful Youtube demo videos again? No need for fancy graphics or video effects. No need to do crazy videos like Chappers' videos. Just take your guitar(s) and play your own profiles a bit to show us what they can do. Maybe you even enjoy making some music in between doing the next 1000 profiles?
Hope this helps ... and hope others will share what they expect and what they like to get when buying rigs.
Cheers
Martin