Guitarsynthesizer à la Boss SY-300, Electro Harmonix B9, Key9, Mel9

I'd love to see this, even if it required using two slots for one module.

+1

at this pace , maybe 5 years from now

A fusion of Profiler and access virus would be a dream.
Just be afraid for enough DSP - Power.

Cobbler, stick to your last.

It could be that not a really big amount of Kemper user would like to spent DSP-Power for this Application instead of becoming a better amplifier with guitar effects.
At minimum I would be such a user , therefore no +1 from me.

BTW : I tried B9 and C9 - it is not easy to get such good resultat as Bill Ruppert did at his endorsementvideo.

Well, luckily you can ignore the modules you don't intend to use... There are some I've never loaded!

Quote from viabcroce

Well, luckily you can ignore the modules you don't intend to use... There are some I've never loaded!

I will not ignore it.
Actually I think about to buy a Mel9.

Quote from Sharry

I will not ignore it.
Actually I think about to buy a Mel9.

If you buy the mel9 please post your thoughts and clips

I bought the Mel 9 the other day and used it on the gig last night and the result was spectacular. The cello sound in particular worked great for Eleanor Rigby and the Mellotron flutes were superb in Strawberry fields. I believe the way to get a good sound with these pedals is to have a compressor after the pedal and have a bit of added delay and reverb. At the moment I use the direct out clean from the Kemper to drive the pedals and the output from the pedals into a splitter into a voicelive 3 which provides the compression,delay and reverb and sometimes flanging!
I

Amazing! My only concern would be that this route seems to push me back again towards having to set up a complex rig again, which the Profiler somehow represented the opposite of

Quote from viabcroce

Amazing! My only concern would be that this route seems to push me back again towards having to set up a complex rig again, which the Profiler somehow represented the opposite of

This! I'm quite impressed with the Mel 9 especially. Let's see if i can resist.

I guess I'd buy at lest half of HH pedals...

Quote from viabcroce

I guess I'd buy at lest half of HH pedals...

What is HH?

Quote from Ingolf

This! I'm quite impressed with the Mel 9 especially. Let's see if i can resist.

I know, I can´t!

Ingo: Helectro-Harmonix

Quote from niloc

I bought the Mel 9 the other day and used it on the gig last night and the result was spectacular. The cello sound in particular worked great for Eleanor Rigby and the Mellotron flutes were superb in Strawberry fields. I believe the way to get a good sound with these pedals is to have a compressor after the pedal and have a bit of added delay and reverb. At the moment I use the direct out clean from the Kemper to drive the pedals and the output from the pedals into a splitter into a voicelive 3 which provides the compression,delay and reverb and sometimes flanging!
I

That is GREAT to hear!
Bill

Quote from viabcroce

Ingo: Helectro-Harmonix

Haha, that's new to me.

Quote from viabcroce

Amazing! My only concern would be that this route seems to push me back again towards having to set up a complex rig again, which the Profiler somehow represented the opposite of

This is the reason why I did not ordered till now.
Compressor and delay, reverb is necessary and I do not want an addition gear for that.
I am thinking to use it in the loop stomp. Maybe the parallel path could be a solution.

I do not know how long I can resist

With the right sort of processing the Mel-9 sounds like an orchestra in the background.Mixed with a great Kemper profile like a Friedman or similar you feel like you are making a sound as big as Pink Floyd or Genesis or something of that ilk.This is a machine for big landscapes but it needs a bit of tweaking to blur the mellotron quirkyness unless that's what you're after.I haven't had so much fun in years.

Drooling...

... but it won't happen!