The official describe your setup thread...

Guitar --> Bad Horsie 2 Wah --> Korg Pitchblack --> Maxon OD9 --> ISP Decimator --> KPA --> Yamaha Audiogram 3 USB Audio Interface --> Computer --> Cubase 5.1

Monitors are KRK Rokit 5s

Very simple and straightforward.

See my signature

Guitar > cable > KPA (with only one rig of a 59 bassmen and with two expression pedals: wah-pedal-booster before the Stack and Main Volume after all effects)

then:

at home: Monitor Out to AER compact (for practicing) or RCF NX 12 sma (for tweaking the Rig) and Main Out into DAW. Sometimes I doublecheck the sound through AKG 501 headphones which is also not ideal in the Phones Out of the KPA, but it gives a different view a bit. Soon I will buy some Adam speakers for my DAW and then I can rely more on that.

local clubgigs: Monitor Out to AER compact or RCF NX 12 sma (depending on lineup of the bands and size of the clubs)

PA gigs w. train travel: Monitor Out to AER compact (set up in front of me, like a real monitor) and Main Out into FOH

PA gigs w. airplane travel: Main Out into FOH and if possible I prefer to just monitor through the monitor speakers of the PA (depending on the quality of the monitor sysems there). If that does not do: Monitor Out to backline Fender twin (if possible CAB off into power amp in, else: CAB sim ON into the frontpanel guitar imput, which is a bit worst kind, horror scenario).

Guitar - Short cable with simulated 6m sound - KPA - main output - Yamaha mixing desk - direct input Mac Mini - Quicktime

That´s perfect (for my needs) chain for recording clips, videos .......

For backings I have to try S/PDIF way through my audiofire 2 next.

Guitar>>line 6 relay 50>>>digitech whammy DT>>>KPA>>>Marshall 9100>>>2 Marshall 2x12's one closed back with Vintage greenbacks, the other open backed with a vintage and a herritage celestion.>>>Sm57>>> PA

Haven't gone to FOH direct yet, I may experiment by I'm very happy with the sound like this, and so is the sound engineer (plus I use the main outs on the KPA to use the Marshall 9100 in stereo.

blows the other guitar players axe fx 2 FRFR set up out of the water ( IMHO )

Guitar===>KPA===>Apogee Ensemble===>Logic===>Reamp Bus to KPA via S/PDIF===>Logic

Monitor through headphones, nearfields, or floor wedge.

Guitar> line 6 G90 Wireless> KPA.

Band practice/home playing : VHT/Fryette 2/90/2 Poweramp into VHT deliverance 4x12 cab.

Show of anykind: FRFR with mackie HD1531. main outs to FOH. Sometimes just KPA direct to FOH no mackie on stage, most clubs we play have excellent pa systems with great monitors and sidedfill monitors.

home
guitar>kemper> either api or vintech pre> hd io>ptxhd>neumann kh120's

live guitar>kemper>velocity300> gflex cab(monitor) main out to board

Guitar >> Evidence Audio Lyric HG >> KPA >> Eventide Orville >> RME Fireface UC >> HP Laptop monitoring with Mackie HR624 or Beyerdynamic
A1 clone (headphone amp) >> Sennheiser HD650
Controller is a Gordius Little Giant

Quote from ACY

Short cable with simulated 6m sound

what?

Quote from DonPetersen

what?

I was thinking maybe something like this?

[Blocked Image: http://www.rockenroll.jp/wordpress/wp-content/uploads/2011/03/gigrig_z_cable.jpg]

My setup

Play
KPA > Monitor out (no cab) > Mesa Boogie 50/50 > 2 rocktron S112 cabs

Record
Guitar > KPA > S/PDIF out> Apollo Duo S/PDIF in

Reamp
Apollo Duo S/PDIF out > KPA S/PDIF in

Output
Apollo > Samson C control > M audio 5bxa
> Tbox 120w wedge monitor
> 4 port headphone amp

This way i can switch between playing loud and live (mesa boogie), or recording through the Apollo and listen through my monitors.
Or through my headphones.

Still figuring it all out and although the mesa sounds really good, the cabs are not that good. I'm still not convinced if a simple FRFR setup would be better for me (portable, cleaner sounding, lower volume).

I don't know specifically what he is using, but I bet a "real" 6m cable would be cheaper

Quote from paults

I don't know specifically what he is using, but I bet a "real" 6m cable would be cheaper

Has nothing to do with cheaper or money. This is Cool Dude Gear! Yes, Sir!
When you play Kemper, all that cool foot stomps and stuff in front of you is obsolete! Guitar players are used to all this blinken lights of those minimum 200 bucks esoteric sound enhancers in front of them, arranged in a cool flight case with the footprint of a two car garage. They miss that! In the Kemper age whats left, is just the cable to "upgrade". I've even heard of wireless Kemper guys going back to cable simulators to have something to talk about with their fellow guitar guys at the local waterhole... Strange world, indeed.

Labrat
PS: I'm thinking about sneaking in a booster because the space in front of me is so empty. I might even connect it to the secret distortion loop of the Kemper.
"They comin' to take me away haha hihi hoho..."

Live
Guitar > G90 wireless > KPA
> loop: Gibson EchoPlex
> monitor out: Matrix GT1000FX > Mesa 4x12 XL cab
> main out: Audio Technica M2 in-ear monitor

Controller: Gordius Little Giant (both for KPA and Echoplex)

Recording
Guitar > KPA > SPDIF: Motu 896Mk3 interface > Cubase 6

Guitar > G-System
G-System to Kemper ( in Stereo )
Kemper Loop Stereo LOCKED ON
Kemper > Balanced Stereo XLR's to Desk
Kemper > Monitor Out to Separate Line on Desk > Monitor OR Shure pack with In Ears

this allows me to control the volume & EQ of my own monitors

My Setup:
Guitar - G30 (Line 6) - KPA
Behringer FCB1010 Uno Midi-Controller - KPA
KPA-Monitor out - HK Audio FRFR Box
KPA-Main outs - PA

It work's very well.

Live: (I haven't actually used it this way yet since the KPA sits at home right now for recording purposes).

KPA - dB Opera 410D FRFR or KPA - EHX Magnum 44 - 2x12 Matamp Retro

Record:

KPA s/pdif out - ESI U24XL usb interface (very glitchy drivers on this, I won't recommend getting one)

At home practice:

KPA main out - KRK VXT4