as stated in post#2, room acoustics are a important factor, and the better the mic, the more you´ll notice that.
that´s less important with a ribbon mic like the m160, but you need very good preamps with ribbons (low output)
i also recommend trying to make a stereo recording with the AT4041 AND the Neumann (or whatever mics you want to try).
Acoustic Guitars are so much nicer in Stereo. Don´t go for a "perfect" stereo setup, just point them to where it sounds good.
I've read about 'constant latency' somewhere in the manual, but it sounded like it would only be recommended for scenarios in which the Kemper is connected to another Kemper and their signals are gonna be mixed? Sounds like a good hint, though!
no, that´s not what i meant. if your daw can´t adjust the the latency, you´d have to measure the roundtrip latency (daw-into kamper- back into daw) and that depends on how you connect the kemper (spdif(analog/usb) .
For normal playing the latency depends on how much fx you use in the kemper, (to minimize latency ).
fot reamping, with constant latency enabled, you get excatly that, always the same latency
in Pro Tools you can put in a value for latency caused by external gear used as an insert, and than the compensation works (hardware insert delay)
Maybe the RME driver has a similar setting?
The thing is, however, the phase difference isn't always the same, depending on the Kemper-sound used, as far as I am concerned. Sometimes it is more, sometimes less.
that´s what "constant latency" in the profiler settings is for.
I´m using browser mode
try PERFORMANCE mode, as it loads 5 rigs at once. And don´t have RM connected.
main manual 10.1
pages 323-325
I get very good results with Soundtoys Echoboy.
Make sure to read the manual about the "tweak" settings.
and then goes into mute with the tuner showing
in tuner mode, Deactivate the “Tuner@Volume 0” option if you don’t want the Tuner to be activated automatically by the Volume Pedal in heel position.
for the other problem, check your pedal assignments, and please read the chapter
Expression Pedals and Foot Switches p.151 in the manual
The older software versions don't appear to be on the Kemper website.
Does anyone know how to revert to previous versions
download Rm and OS from the link above.
than follow the instructions from the MANUAL:
"By the way, if you create a backup before you upgrade, you can always downgrade to our latest release version, restore your backup, and be on safe ground for your next job. This way, you can completely avoid occasional downward compatibility issues that can affect data stored under a new operating system. Downgrades via USB memory stick follow the same procedure as upgrades. Rig Manager includes a function to revert the PROFILER OS to the previous release revision."
May I ask if this is a new iMac with a USB-C port?
i have a new macbook pro M2 since several month with usb-c and never experienced a connection problem.
no hub, direct connection.
Also, as the MOTU is mentioned by Wheresthedug, no problems with SSL12 Audio Interface (no driver needed).
rigs in browser are independent from rigs in your performances
The bad thing is the decimals you have to rotate out of. I've never heard of a 120.4 bpm or why someone would use that.
because not all music is played to a click track (at least the good music)
First thing to do is ditch the Audacity and get a nice DAW program
Nothing wrong with Audacity: it yout guitar won´t sound different in any other DAW.
the sound i get out of the recording is bad (muddy, not clear and not well defined) comparing to the sound i get out of the monitor.
How are you monitoring your recorded sound? Compare Kemper with Headphones and your recording with headphones, if it sounds different, get another interface or record digital.
I bought this liquid bundle, played around with it, and can really recommend it.
Bought quite a few things in the past with very mixed results, but here ALL the profiles are really great.
I particularly like the fender profiles
Beim Monitor Out gibt es auch die Option "DI Low" und "DI High". Was ist denn da der Unterschied zu Git Analog?
steht ausführlichst im Handbuch auf Seite 123 
No place to hide when unplugged in that scenario. I know that if I can perform well on an unplugged, electric I won't have any issues when plugged in.
the other side of the coin: i used to practise and play a lot like that, but i found that when i plugged back into the amp my playing got less dynamic control, and i also missed a lot of noises that my left hand created but only amplified.
i don´t know if you´re on windows or osx, but in osx you already have a lot of options to do this without the need to connect a profiler
Don´t overthink it.
I just tried the liquid stuff with some fender amps and i was very positive surprised by the results:
the profiles behaved more like real amps IF you fiddle with the knobs, and i got quicker to better results
than with the generic (old) tonestack or with the eq.
For me it´s a big improvement.
p.s : pretty hard to read your post without paragraphs (for me).
you can already put acoustic guitar IRs in the cabinet slot, works quiet well but don´t forget to turn off the amp.
The problem with an external device is, I can not switch it with the profiles, it remains always an additional step.
you can use the loop fx to switch with profiles
