Propaganda everywhere

    Here is my latest : a rock track & a didactic part ( 2nd half )


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    some useful facts on the 2nd part:


    There are only 4 parts on 7 tracks here :

    drums / bass / cleans git_doubled / heavy git_doubled


    post FX was removed , so you get the RAW signal : My KPA Alice in Mars profile set on cleans & a killer JCM800 NAM model


    I removed heavy vs clean & made them reappear for the listener to discover the underlying harmonies , both on the double stops of the heavy parts vs the arpeggios (mainly triads ) of the cleans and how they counterpoint to the bass & vs each other. I really swear by these dyads ( or double stops) , they really rock while being easier to mix than classic 5ths power chords.


    the bass is either on the tonic or following the harmony


    And yes I broke one of my beloved Dugain wood pick , replaced a few days later for free by M. Dugain himself.

    It's a wall of tone, Renaud! 8)


    On your doubles, do you play over the same track in the same stereo field or separate them a bit. Like , first track is panned hard at 100% and the doubling track is panned the same. Or do you pan the doubling track to like 90%, etc?

    Larry Mar @ Lonegun Studios. Neither one famous yet.

    Thanks 1
    Quote from BayouTexan

    On your doubles, do you play over the same track in the same stereo field or separate them a bit. Like , first track is panned hard at 100% and the doubling track is panned the same. Or do you pan the doubling track to like 90%, etc?

    depends on the track but I often pan clean arp & chords to 100/100 while heavy stuff , PM & so 75 to 25 , most of the time 50 , all natural tracking