Sound like the pro's

I don't know the source - I got this per email from a friend - maybe it's helpful for other here too.

If you have anything to add - or know any webpages for this let us know.

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Adam Dutkiewicz/Killswitch Engage: Caparison PLM-3 guitars w/ EMG 85 in the Bridge > Maxon OD808 Overdrive > H&K Triamp or Mesa Triple Recto/Roadster > Maxon AD9 Delay (FX Loop) > Mesa 412 w/ Vintage 30 speakers.

Adam Jones/Tool: Dunlop Wah > Ibanez Delay > Ibanez FLanger SPLIT Mesa Dal Recto, Marshall Bass Head, Diezel VH4 w/ 4 12 cabs (GG.com)

Adrian Smith/ Iron Maiden Fender Strat (HM) or Gibson SG > TS9 > Digitech Whammy Pedal > Dunlop Wah > Marshall 30th Aniversary 100w (6100LM) Head FX LOOP (PV Tubefex) > Marshall 412 w/ Celestion 75w G12-T75 (Guitar World: December 2006)

Albert King: 1958 Gibson Flying V > Acoustic 261 head and 261 cabinet. (Guitar Xtra Nov 2007)

Amir Derakh/Orgy: Jackson SB (HB), Boss FZ-2, Boss PH-2, Boss PS-3, Boss GE-7, Marshall JMC 2000 (FX Loop TC 2290) > Marshall 412 w/ V30s (GG.com)

Allan Holdsworth: Custom SB (HB) > Boogie Mk I combo for Clean into 1x12, Dual rectos for solos - FX loop: (2) PCM 41s, (2) Yamaha 1500, (2) Roland SDE-3K, (2) Delta Lab Effectrons > Mesa Dual recto 212 cabinet. (Guitar shop 1994, The Recording Guitarist by John Chappell)

Alex Lifeson/Rush
* 70s rig: Gibson SB (HB) volume pedal, Cry Baby, BOSS CE-1, Mistress flanger, phase shifters, tape delays, Plexi Marshall, Marshall Cabs
* Moving Picture era: Gibson or Fender > Morley Volume Pedal > MXR distortion > MXR Micro Amp > Roland 301 Echo Unit > AAD Delay > Electric Mistress > Roland chorus SPLIT (2) Marshall combos and (2) Hiwatt 100 heads > (2) 4x12 cabinets and 1 Leslie cabinet (Moving Pictures tour book)

Andy Summers/Police: 1961 Fender Tele > MXR Dynacomp > EH Flanger > MXR delay > Maestro Echolplex > Marshall 100w head > 412 cabinet. (Guitar Edge May/June 2009)

Andrew Stockdale/Wolfmother: Gibson guitar > Fulltone Clyde Deluxe Wah > Boss Metal Zone > Fulltone Supa-Trem Tremolo > Boss Tremolo > Digitech Whammy pedal > Electro Harmonix Micro Synth > Electro-Harmonix Small Stone phaser > Orange AD30 and Thunderverb 200 and PCC412 cabinets, Marshall non-master volume superleads, Vox AC30 amplifier head
(http://www.uberproaudio.com/content/view/273/38/)

Angus Young/ AC/DC: Gibson SG > Marshall JTM 45 or 1969 SLP reissues, Marshall 412 cabs w/ Vintage 30s or 25w Greenbacks (December 96 Guitar Shop, May 1996 Guitar World)

Albert Lee: Fender Telecaster > Echoplex tape delay > Ernie Ball 410 combo.

Al Mckay/Earth Wind & Fire: Tele (SC) and ES-335 (HB) > Boss PS-2, Rat distortion > CE-2 > JC120.

Alexi Laiho/Children of Bodom: ESP Alexi Laiho Signature guitars w/ EMG Pickups > Lee Jackson Perfect Connection GP-1000 tube preamp > RSP 2400 Hush/Enhancer/Exciter > Rocktron Intellifex > VHT Two/Fifty/Two Stereo tube poweramp > Marshall 1960B 4×12 Cab w/ G12T-75 Speakers (http://www.guitar-stuff.net/20…uitar-amp-setup/#more-105)

A Levine/Maroon 5: Gibson SB (HB) > Line 6 DL4 > Ibanez TS9 > Boss NS2 SPLIT: Fender tone master and/or Triple Recto > Marshall 312 w/ 75w Celestions (October 2005 G1)

Billy Joe Armstrong/Green Day: Black Les Paul, Les Paul Junior, Fernandez Strat (w/ SD JB) > TS-9 > Ibanez Phaser > Boss Tremelo > Marshall 100w Plexi heads (w/ Dookie Mod w/ better preamp and biasing) > Marshall 412 w/ V30. Also has a CAE Preamp > Marshall power amp rig (Jan 2005 G1)

Billy Duffy/The Cult:
(Dreamline and Love albums): 70s Gretch Falcon > Roland JC 120 (August 2007 Guitar Edge)
(Electric album): Les Paul > Cry Baby Wah > MXR Phase 100 > Boss DM2 > Boss DD3 > Marshall JCM 800(August 2007 Guitar Edge)

Billy Gibbons/ZZ Top: Les Paul (HB) > 1959 Marshall Plexi through a 2x12 cab

Brad Nowell/Sublime: Ibanez S-470 > Boss OS-2 > Boss DD-3 (splitter) Marshall JCM 800 combo 212 and JC-120 (GG.com)

Brad Whitford/Aerosmith: Crybaby wah, Marshall guvner, Boss CD-2, Boss CE-5, Chandler Echo, Bogner Extacy head, Bogner cabinet (internet)

Brett Hinds/Mastadon: Gibson V or Explorer > Monster Effect Mastortion > Tube Screamer > Boss EQ, Delay > CS-3 > Marshall JCM800 Split channel (Guitar Edge May/June 2009)

Brett Mason: Strats, Teles, Les Pauls > Bassman or Showman head or AC30 combo

Brian May/Queen: Custom SB w/ 3 SC > Brian May treble booster > Dunlop Cry baby > Eventide H3K > Vox AC30 w/ TB (no EQ or Cut). Eventide H3K used for stereo flanger, 800 & 1600 ms DDL w/ no repeats (Guitar shop 1994, GG.com)

Brian Setzer/Stray Cats: Signature Gretsch Semi-hollow > TS9 > Roland 301 Echo unit or Echolplex, fender tremolo > 63 Fender bassman head w/ 212 cabs w/ V30.

Buckethead: Superstrat > Peavey Reknown > Boss ME50, Alesis Midiverb, Rocktron Intellifex, Rockman XP100 (in FX loop) > Harry Kolbe 412 cabinets (Guitar Shop May 1997)

Chuck Berry: Gibson ES335 > Fender Bassman, Fender Twin, or Fender Super Reverb (GG.com)

Chuck Schuldiner/Death: 1988 BC Rich Stealth w/ Dimarzio XN2 > Marshall Valvestate w/ BBE unit > Marshall 412 (Guitar School 9/1993)

Claudio Sanchez/Coheed and Cambria: Gibson Explorer with EMG-81/85 pick-ups > Dunlop CryBaby Wah > Line 6 Tremolo > Bogner Uberschall and/or Mesa Triple Rectifier >Mesa 412 Recto Cab. Clean amp: Fender 65 Twin Reverb amp.

Cristiano Migliore/Lacuna Coil: ESP/LTD SC-607B Stephen Carpenter 7-strings with standard EMG pickups > Dunlop Dime Crybaby from Hell > Line 6 Hd 147 heads > Mesa Boogie Cabinets
(http://www.uberproaudio.com/content/view/358/38/)

C Muncey/Jet: Gibson flying V (HB) > TS-9 > SD-1 > Boss Tremelo > 50 Marshall head > Marshall 412 (March 2005 G1)

Dan Donegan/Disturbed: Les Paul Standard (HB) > E Ball Volume > Whammy Pedal > Boss PH-2 > Crybaby Wah > Mesa Triple Recto > Mesa 412 w/ V30s (GG.com)

Dave Grohl/Foo Fighters: Gibson SB (HB) > Boss TR-2 > Ernie Ball Volume > Boss DD-2 > MXR Phase 90 > Boss BF-2 > Mesa Road King > TC G Force (in FX loop) > Mesa 412 w/ Celestion Vintage 30s (Jan 2006, Guitar One)

David Gilmour/Pink Floyd: Strat w/ EMGs, Tube driver, Rat distortion, Boss CS-2, MXR comp, Boss HM-2, Boss GE7, univibe, T.C. 2290, Lexicon PCM 70, MXR rack DDL, Hiwatt head > Marshall 412 & Doppola (miced w/ u87 and SM57s) (Guitar Shop December 1996).

Dave Keuning/Killers: Electro-Harmonix Big Muff Pi > banez TS-9 Tube Screamer > Boss CE-1 chorus pedal > Ibanez Analog Delay (for shorter delay) > XR Phase 100 pedals > Hiwatt Gilmour 100 head > Hiwatt 4x12 cabs
(http://www.uberproaudio.com/content/view/257/38/)

Dave Murray/Iron Maiden: Super strat > JMP 1 > Marshall JFX > JCM 2K (power amp) > Marshall 4x12 w/ 75w speakers (Guitar World: February 07)

Dave Mustaine/Megadeth: ESP signature Solid bodies w/ SD HBs > Rocktron Prophesy > Marshall 100/100 (EL34s) > Marshall 412 w/ V30s (May 2005 G1)

Dave Navarro/Jane’s Addition, Red Hot Chili Peppers: Ibanez or PRS > Cry Baby Wah > Boss Distortion DS-1 > Boss Phaser PH2 > Boss Octave OC2 > Boss Chorus CH1 > Boss Delay DD3 > Marshall JCM900 > Marshall 412.

Dean Deleo/Stone Temple Pilots: Gibson > Cry Baby Wah > Boss CE1 SPLIT to VOX AC30 and Demeter Preamp > Rocktron Intelliverb > VHT Power amp > Marshall 412 cabinet (Uberproadio.com)

Derek Trucks: Custom Washburn > 1964 Fender Super Reverb (July 1998 Guitar Shop)

“Dimebag” Darrell Abbott/Pantera: Dean guitar (HM) > Digitech WH-1 Whammy Original > Dunlop 535Q Wah Pedal > Boss PS-3 > Boss DS-2 > Boss DD-3 > Furman PQ-3 Parametric EQ > MXR Flanger/Doubler > Randall Century 200 HD > Randall 4x12 cabinet w/ Celestion vintage 30s (March 1999 Guitar Shop, GG.com, The Recording Guitarist by John Chappell)

Duane Allman/Allman Brothers: 1959 Les Paul Standard > Marshall 50 watt head

Edward Van Halen
(70s Rig) Superstrat w/ Gibson PAF humbucker > MXR Phase 90 > MXR Flanger > Echoplex > Unicox EC-80 echo (divebomb of Eruption only) > 1966 Marshall Superlead w/Variac > Marshall 412 > (2) SM 57 mics (one on the cone, one offset) (Guitar World May 1996)

(90s Rig) Wolfgang SB (HB) > Boss SD-1 > Boss OC-2 > MXR Phase 90 > Cry baby Wah > 5150 head > (FX loop H3K > (2) Roland SDE-3K > PCM-70) > Peavey 412 w/ 75w speakers (Guitar Shop, Spring 1994)

Edge/U2: (early years) Strat > Big Muff > SPX 90 > Yamaha Rev 7 > Boss Pedals > Memory Man > Vox AC30 (July 87 Guitar World).

Eric Clapton:
Cream era: Gibson ES-335, Firebird, or Les Paul / SG Standard > Vox 847 Wah > Dallas Arbiter Fuzz Face, Marshall Supa Fuzz, UniVox Super Fuzz, or Vox Tone Bender > Marshall JTM-45 Head > Marshall 4x12 Cabinet (Guitargeek.com, Guitar Extra, November 2007)

Eric Johnson: Strat w/ Dimarzio HS-2 single coil pickups sent to A/B boxes, to split to three (3) rigs:
* Rig 1: Echoplex > Chandler Tube Driver > 1966-68 100w Marshall plexi head > Marshall 412 cabinets
* Rig 2: Dallas Arbiter fuzzface > MXR DDL and/or Echoplex > 1966-68 100w Marshall plexi head > Marshall 412 cabinets
* Rig 3: Echoplex > TC Electronics Chorus >> (2) Fender Vibrolux Amplifiers
(Guitar Shop October 1996, September 1997, The Recording Guitarist by John Chappell)

Greg Tribbett/Mudvayne: Gibson Les Paul Studio > BBE 482 Noise Reduction > Morley Wah SPLIT to JC 120 & Line 6 DL4 > VHT Pitbull Ultra Lead > Mesa 412 cabinet (May 2002 G1)

H Garza/Los Lonely Boys: Fender Strat (SC) > Vox Wah > Ibanez TS808 SPLIT: Marshall 2K (w/ Fender reverb unit) > Tone Tubby 412, Fender Twin w/ Jensen speakers (Holiday 2005 G1)

Head/ Korn: Ibanez 7 string > DOD Metal Distortion > Boss Super Phaser > Boss Stereo Chorus > Mesa Triple recto > Marshall 412 w/ V30s (Guitar World July 97 and GG.Com)

In Flames (Björn Gelotte/ Jesper Strömblad): Gibson Les Paul Custom with EMG 85 > Peavey 5150 amp > Line 6 Effects > 412 cab

Jack White/White Stripes: Digitech Whammy IV > MXR Micro-Amp > Electro-Harmonix Big Muff Pi > Electro-Harmonix Polyphonic Octave Generator > Boss CS3 > 1970's Fender Twin Reverb amp.
(http://www.uberproaudio.com/content/view/118/38/)

James Hetfield/Metallica: ESP guitars with EMG Pickups (10-46 string) Boss SE-50, BBE > Rocktron Juice Extractor > Aphex Parametric EQ > Hush Noise Reduction > Mesa Boogie Mk IIC+ head > Marshall 412 w/ Celestion Vintage 30s, JC-120 combo for clean (May 1996 Guitar World)

James Honeyman-Scott/Pretenders: Gibson or Fender guitar > Boss compressor > Boss Chorus > Boss Overdrive > Marshall 100 watt head > 412 cabinet

Jeff Beck
(Guitar Shop recording): Strat or Tele > (2) Fender “the Twin”, Fender Princeton Reverb II. (Guitar World May 1996)
Stage rig: Strat or Tele > Rat distortion Pedal > Boss DD-2 > Late 60s Marshall 50w head (Guitar World May 1996)

Jerry Cantrell/Alice in Chains
* Guitar Shop Spring 1994: G&L Rampage w/ Duncan HB pickup & Kahler tremolo > Dunlop Crybaby wah > Bogner Fish Preamp > Rocktron Intelliverb > Mosvalve 500 power amp > Marshall 412 w/Celestion 30-watt Vintage and 25-watt Celestion Greenback speakers. Taylor G10 acoustic guitar with Fishman preamp > Trace Elliot TA100R amplifier

November 1992 Guitar (Dirt recording): G&L Rampage w/ Duncan HB pickup & Kahler tremolo or Gibson Les Paul split to Bogner and Marshall panned the opposite direction.

John Christ/Danzig: BC Rich SB (HB) > VHT Pitbull Classic Head, Rocktron Intellifex > VHT Chromeface power amp > Marshall 412 cabs (Guitar Shop 1994)

John Frusciante/Red Hot Chili Peppers:
Rig 1: 50s or 60s Fender > Boss DS-2 > Big Muff Pi > Phase 90 > Ibanez Wah > CE-1 SPLIT to Marshall Major 200w head and Marshall Silver Anniversary head > Marshall 412 cabs. (GG.com)

Rig 2: 50s Gretsch Falcon > DS-1 > Fender showman head > Marshall 412 (GG.com)

J Garvey/Hinder: Gibson Les Paul or Explorer (HB w/ drop C tuning) > Boss CE1 > Ibanez TS9 > TC Nova Delay > Mesa Dual Roadster head > Mesa 412 w/ celestion vintage 30 speakers. Gibson J-185 acoustic to DI (Feb 2009 Guitar World).

Jonny Greenwood/Radiohead: Fender Tele Plus > Marshall shred master > Boss RV-3 > Boss SD-1 > Volume to:
* RIG 1: Fender Deluxe (SS)
* RIG 2: Whammy pedal > Trem (home made) > DOD envelope filter > EH Small Stone > Space echo (no model) > Mutron Mutator > Vox AC-30.

Jimi Hendrix: Fender Strat (SC) > Crybaby or Vox Wah > Axis Fuzz > Arbiter Fuzz Face > Univibe (w/ pedal) > Octavia > Marshall Plexi 100w > Marshall 4x12s (Guitar shop 94, The Recording Guitarist by John Chappell)

Jim Root (7)/Slipknot: Warlock guitar > Marshall JPM1 > Boss FX unit > Mesa 2:90 > Carvin 400w 412 cabinet (Guitargeek.com – 2001)

Joan Jett & the Blackhearts: Gibson Melody Maker > Ibanez TS-9 > Mesa Boogie mark III 112 combo sent out to vox 212 cabinet (J Jett Backline Rider - 2005)

J Milligan/Anberlin: Les Paul > POD XTLive > Marshall JCM 2000 > Marshall 412 w/ 75 watt speakers . Also uses Fender Tele and Alvarez 12 string (April 2009 GW)

Jade Puget/A.F.I.: Les Paul Studio > Dunlop Rotovibe > Dunlop Dime CryBaby from Hell > Ibanez Tube Screamer pedals > TC Electronic G Major rack unit > Mesa Dual Recto or Marshall Plexi >Marshall 412 or JC120
(http://www.uberproaudio.com/content/view/359/38/)

Joey Ramone/Ramones: Mosrite guitar > Marshall 1959 Superlead (no master volume) > Marshall 412 w/ 25w Celestions (rockometer.com)

Joe Satriani: Superstrat > Cry Baby wah > Boss DS-1 > Whammy Pedal > Fulltone Ultimate Octave > Boss CH-1 > Boss DD-2/3 > Chandler DDL (450-550 ms) > Chandler DDL (600-800ms) > Marshall 6100 (Anniversary) head with 6550 power tubes > Marshall 412 w/ V30s. (Guitar Shop Summer 94, Nov 97, GG.com, The Recording Guitarist by John Chappell)

John Jorgenson/Hellcasters: G& L ASAT (tele style) > Ibanez TS5 > TS 808 > Boss DC 2 > Boss DD2 (125 ms) > Boss RV-2 > Matchless SC-30 (Guitar shop 1995, The Recording Guitarist by John Chappell)

Jonny Lang: 1975 Fender Thinline > Ibanez 808 Tube Screamer > Hard-on Distortion pedal > Vox Wah > Fender Vibro King (May 1997 Guitar Shop)

John Scofield: Ibanez AS200 (semihollow) > Digitech Whammy > Vox AC 30 (March 2009 Guitar Edge)

John Petrucci/Dream Theater:
Guitar Shop - Summer 94: Custom Ibanez SB (HB) > Mesa Triaxis > DBX 166 > TC 2290 > PCM 70 > Mesa 2:90 > Mesa Recto cabs

Guitar Edge – August 2007: Signature series Music Man guitar (9-42) > Boss DS-1 > Boss TR-2 > MXR EVH Flanger > MXR EVH Phaser > Ernie Ball Volume > DBX 266 compressor > Eventide DSP700 > TC 2290 > TC M3000 Multi-effects > Mesa Mark IV (distortion) & Mesa Lone Star (Clean) > Mesa 412 Stiletto Cabinet.

Johnny Winter
Early rig: Fender Mustang > Fender Twin
Later Rig: Gibson Firebird (HB, open D tuning for Slide) > CE-2 (rate = 10 pm, depth = 2 pm, always on) > Musicman 410 w/ Celestion Vintage 10 (all tones @ 0 except treble at 10, no reverb) (April 2005 G1)

J Valentine/Maroon 5: Fender SB > EB Volume > wah > Line 6 DL4 > MXR Phase 90 > Fulltone Deja Vibe > Z Vex SD Fuzz SPLITTER: Tonemaster 100, %13 FTR 37, %13 RSA 23, Two Rock Custom Reverb > %13 112 (V30) and %13 212 (V30 and Alnico Bulldog) (October 2005 G1)

Kirk Hammett (Metallica): ESP Guitar (active HB) > Ernie Ball Wah pedal > Marshall JMP-1 preamp, Mesa Triaxis preamp, and Mesa Dual Rectifier preamp > Mesa Power amp > Mesa 412 cabinet (The Recording Guitarist by John Chappell)

Kurt Cobain/Nirvana:
Nevermind session: Fender Mustang, Jaguar or Strat with Dimarzio humbuckers > Boss DS-1 > EH Small Clone chorus > Mesa Studio 22 miked with a Shure 57, U87, 414, or 421. Also used a Vox AC 30 for clean and Rat distortion pedal. Lithium used a EH Big Muff > Fender bassman > U87 microphone.

"In Utero" Live rig: Fender "Jag-stang" > Boss DS-2 > Sansamp (as distortion) > EH Poly Flange > EH Small Tone > Mesa Studio or Quad Preamp > Crest 4801 Power amp > Marshall 4x12 cabs (May 1997 Guitar Shop)

Kim Thayill/Soundgarden: Guild SG w/ HB > cry baby > DOD FX 10 preamp > CE-2 > Mesa Dual Recto head > to Mesa cabs or Fender Leslie (Guitar Shop 1994)

Kenny Wayne Sheppard: Late 50s/ early 60s Strats (SC, 11-58): Dunlop CB wah > TS 808 (modded) > TS9 (modded) > Octavia > L6 DM4 > L6 DL4 > Analog Man chorus > SPLIT: Blackface Twin reissue (EVL speakers), Fuchs 100 OD supreme > Fuchs 410 (v30s), Marshall 1959 SLP reissue > Marshall 412 (V30s) (July 2005 G1)

Kerry King/Slayer
Guitar Shop 1995: Jackson w/ EMG HB > Bogner Shark Preamp, Eventide H3K, Boss EQ, VHT Power amps (Wet), Marshall JCM 800s (6550s) (Dry) > Marshall 4x12 w/ 75w Celestions

August 2005 G1: ESP guitars (EMG pickups) > Dunlop Wah > Boss RGE-10 EQ > Yamaha SPX 900 > Eventide H3K > JCM800 w/ 6550 > Marshall 412 w/ Celestion Vintage 30s

Lenny Kravitz: Gibson SB (HB) > rack splitter > Boss OC-3 > Fat boost > MXR Dynacomp > MXR Phase 90 > L6 Echo Pro > L6 Mod pro > L6 Filter Pro > L6 POD pro SPLIT > (2) Fender Deluxe reverbs > 112 Greenback, (2) Marshall 50w Plexi Heads > Marshall 412 w/ 25 greenback, (2) Twin Reverbs > 212 80w G12s. (November 2005 G1)

Malcolm Young/AC/DC: Gretsch Semi hollow w/ 12-56 gauge strings > 1966 Marshall 100w Plexi > Marshall 412 w/ 25w Greenbacks. (May 1996 Guitar World)

Matt Bellamy/Muse: Manson custom guitar (HB) > Digitech WH-1 Whammy Reissue > MXR Phase 90 > Diezel VH4 > TC2990 Delay > Soldano 4x12 cabinet (various research)

Mark Morton/Lamb of God: Jackson Custom (HB) > Dunlop wah > MXR GT-OD > MXR EVH Phase 90 > DBX compressor > Mesa Mark IV > Mesa 412 (March 2009 Guitar Edge)

Michael Amott/Carcass, Arch Enemy: - Dunlop Zakk Wylde wah-wah pedal > Ibanez TS-808 Tube Screamer > MXR Phase 90 > Ibanez AD-9 Analog Delay > Roland SDE-3000 Rack Delay Unit > Peavey 5150 > Krank "Revolution" cabs (loaded with Celestion Vintage 30's) (http://www.uberproaudio.com/content/view/247/38/)

Mike Campbell/Tom Petty: Cry Baby > Camel Toe overdrive > Boss EQ > Line 6 DL4 > Line 6 MM4 > Fender Reverb SPLIT TO Fender Blackface deluxe, Vox AC30, Fender Tweed Deluxe, Fender Princeton > Vox 412 speaker cabinet (Guitar Edge May/June 2009)

Mike Izinger/Incubus: Semi Hollow PRS > H&K Rotosphere > (2) Boss PH-2 > DOD Gonlulator (ring modulation) > Boss RV-3 > MXR Phase 90 > DOD FX25 (envelope filter) > Boss CS-3 > DOD FX75 Flanger > Boss GE7 > OC-2 > DOD overdrive > Mesa Dual Trem-o-verbs (1 clean, 1 distorted) > mesa 212 or 412 cabs w/ V30s (Sep 2002 Guitar One, GG.com)

M Padget/Bullet for My Valentine: ESP Flying Vs w/ EMG 81/85 > Slash Dumlop Wah > TS9 > TC Electronics G-Force SPLIT Mesa Triple Rectifier (Dirty) > Mesa 300w 412 cab and JC120 (Clean).

Michael Schenker: Flying V (w/ HBs) > Dunlop Wah (rack mounted) > Boss DD3 > Boss CE-5 > JCM800 50w (dist) SPLIT JCM 2k (clean) > Marshall 412 w/ 75w Celestions (June 2005 G1)

Munkey/ Korn: Ibanez 7 string > Digitech Whammy pedal > Univibe > EH Flanger > EH Big Muff > EH Small Stone Phase Shifter > Boss Rev/DDL > DOD FX25 Envelope Filter > Mesa Triple Recto > Marshall 4x12 w/ V30 speakers (November 1998 Guitar Shop)

Neal Schon/Journey: Les Paul > Crybaby Wah > Boss DS-1 > Ibanez TS9 > Boss CS-3 > Boss NS-2 SPLIT Hiwatt Custom 100 (FX Loop - Roland DDS) > Marshall 412 w/ Greenbacks, Hot Rod Deville 410 (composite of Journey 80s rig and January 98 Guitar Shop).

Noodles/Offspring: Ibanez Talman > Mesa Boogie Mark IV > Alesis Quadraverb (in FX Loop) > Mesa 4x12 cabinets (September 1997 Guitar Shop)

Nuno Bettencourt/Extreme, solo:
Extreme: Washburn signature series > Rat distortion > Marshall JMC 800 (Guitar Xtra Nov 2007)
Solo: Washburn signature series > MXR Phase 90 >Boss OC2 > Demeter Tremlator > Marshall, H&K or Fender Head w/ Boss DD3 in FX loop > Marshall 412 cabinet (May 1997 Guitar Shop)

N Cester/Jet: Gibson ES 335 (Semi hollow, HB) > Z-Vex Fuzz Factory > Hot Cake distortion > Hiwatt 50w Custom > Marshall 412 (March 2005 G1)

Omar Rodrugiez-Lopez/ Mars Volta, At the Drive in: Fender and Gibsons > BOSS HR-2 harmonist > BOSS CE-3 > BOSS Phaser > Boss reverb > Orange AD140HTC guitar amplifier heads > 4x12 Orange Cabinets

Otis Rush: custom strat > Mesa Mk III > Mesa 412 cab (Guitar Shop Winter 1994)

Oli Herbert/All That Remains: Washburn, Gibson, Ibanez guitars > Peavey 5150 and 6105 heads > Mesa Boogie 412 cabinets (Feb 2009 Guitar Edge)

Page Hamilton/Helmet: ESP SB (HB) Vox Wah > MXR Dist+ > Dyna-comp > Tech 21 double drive > Z Vex Fuzz Factory > ProCo Rat > PE COB > octave Pedal > MSC Microamp > MXR Bass octave > Whammy pedal > ADA FLanger > MXR Stereo chorus > DD6 > VHT Pitbull Head > VHT 412 w/ Eminence 50w (September 2005 G1)

Pete Townshend/Who (Who’s Next Album): 1957 Gretsch 2180 guitar > Edwards volume pedal > late 50s tweed Bandmaster. (Guitar World May 1996)

Robert Cray: early 60s strats & Gibson 345, (2) Fender Super Reverbs

Randy Rhoads/Osbourne, Ozzy: Les Paul > MXR Distortion plus > MXR EQ (heavy midrange emphasis)> MXR Chorus > MXR Flanger > Korg Echo unit > Cry Baby or Vox wah > Marshall 1959 Super Lead Plexi heads > Marshall 4x12 cabinets with Altec speakers. Shure 57s close-miked on cabinet, Neumann U87 20' away.

Ron Thall/Guns & Roses: Vigier and Les Paul guitars w/ Dimarzio humbucking pickups and Sernie Ball Strings> Line 6 Vetta (Feb 2009 Guitar Edge).

Scott Ian/Anthrax: Jackson guitar > TC Distortion > JCM 800 > Marshall cabs.

Slash: Les Paul (HB) > EMB Remote Wah > Marshall 25th Anniversary series head > Marshall 412 w/ Celestion Vintage 30s (Guitar Shop 1995, June 1996)

Sonny Landreth: Strat (SC) > MXR Dynacomp >> Split to 1954 Fender Deluxe and Demeter TGA-3 > Demeter silent Speaker chamber with a Celestion Vintage 30 and Shure SM-57 (The Recording Guitarist by John Chappell)

Son Seals: Gibson ES-335 > mid 60s Fender Super reverb (Guitar Shop 95)

Steve Jones/Sex Pistols: Les Paul > Fender “silverface” Twin w/ Gause Speakers (May 1996 Guitar World)

Steve Miller: Fender Strat > Fender Bassman (w/ SM 57) (http://www.guitarplayer.com/st…=23214&terms=steve+miller)

Stevie Ray Vaughan: Fender Strat (Rosewood fretboard) > Vox Wah > Diaz Square fuzz or TS808 > Tychobrahe Octavia > Boss Chorus >>>>> Split to: Leslie Speaker cabinet, Fender Vibroverb (2x10), Fender Super Reverb (4x10), Fender Bassman head with 2x12 cabinet, Marshall head (6550 power tubes) > Marshall 4x12 cab with EVM speakers ( The Recording Guitarist by John Chappell)

Steve Stevens/Billy Idol: Hamer SB (HB) > crybaby wah > Rat dist > MXR Phase 90 > Boss CS-2 > 1969 Marshall head > Lexicon PCM 41 & 70, Yamaha XPS 90, Eventide 969 in looping system > Marshall 412 w/ 25w speakers. (July 87 Guitar World)

Steve Vai
Guitar Shop 1994: Ibanez SB (HB) > Boss SD-1 > Cry baby wah > Whammy Pedal > JCM 8/900 > Roland SDE 3K > Eventide H3K > Marshall 412 w/ Celestion Vintage 30s

Guitar Shop 1995: Ibanez SB (HB) > Boss DS-2 > Cry baby wah > Whammy Pedal > Laney and Bogner Extacy > Roland SDE 3K > Eventide H3K & H4K > Marshall 412 w/ Celestion Vintage 30s

December 2005 G1: Ibanez SB (HB) > Morley Volume > Digitech whammy > Boss DS1 > Ibanez TS9 > MXR Phase 90 & Phase 100 > Carvin Legacy HD (loop w/ Eventide Harmonizer® & TC G Force) > Carvin 412 w/ Celestion Vintage 30s.

Stone Gossard/ Pearl Jam:
* Rig 1: Les Paul > TS-9 > mid 70s Twin reverb (EV 75w speakers)
* Rig 2: Les Paul > TS-9 > Matchless HC30 head > Marshall 412 w/ 25w speakers
* Rig 3: Les Paul > TS-9 > 1968 Marshall Plexi Super bass > Marshall 412 w/ 25w speakers (Guitar Shop 1994)

Tom Delong/Blink 182: Superstrat SPLIT to Marshall JCM 900 (clean) and Mesa Triple Recto (distortion) > Mesa 412 cab (GG.com)

Tom Dumont/No Doubt: Hamer Explorer style guitar w/ humbucking or SC pickups (10-45 gauge) > Crybaby wah > MXR Microamp (boost for solos) > Dunlop tremolo > Univibe Split Fender Tone Master > 4x12 Tone Master Cab AND Mesa Dual Recto > 4x12 Tonemaster cab. Acoustic Guitars: Guild D25, Takamine NP65C nylon string.

Tony Iommi/Black Sabbath: SG with humbuckers > Tychobrahe ParaPedal Wah > Ranger Master Treble booster > Laney 100Watt Supergroup Head > Laney 412 cabinet (Guitar World May 1996, Guitargeek.com)

Tom Morello: RATM/Audioslave: Superstrat w/ EMG humbuckers> crybaby wah > Whammy Pedal > Boss DD3 > DOD EQ > Ibanez digital Flanger > Marshall JCM 2205 50w > Peavey 412 Cab (November 97 Guitar Shop)

Tom Petty: Tele or Rickernbacker (SC)> Vox Wah > Red Llama OD > Ibanez TS-9 > Boss CE-2 > Boss RV-3 SPLIT TO: Fender Bassman and Vox AC 30 (GG.com)

Tom Scholz/Boston: 1968 Gibson Deluxe Gold top Les Paul with Dimarzio Super Humbucker pickups > EQ > Cry baby wah > Maestro Echoplex > 100-watt Marshall head > Marshall 412 (EMT Gold Plate reverb used on mixing).

Warren Hayes/Allman Brothers: Fender Strat w/ Lace pickups, PRS (Humbuckers), Les Paul Standard w/ Pearly Gates Pickups > Soldano SLO 100 (FX loop – Alesis Quadraverb) > 412 cab w/ EV 16 ohm speakers. Amp settings: normal gain: 1 pm, Overdrive gain: 9:30, treble 2 pm, mid 11 pm, bass 2 pm, normal output: max, overdrive master: max, presence: almost maxed. 425 MS ddl, hall reverb 1.8s to 2.4 second @ ~ 50%. (Guitar Shop Spring 94)

Wes Borland/Limp Bizkit: Ibanez 7 string > noise Gate > MXR Bluebox > Mutron III > Morley Volume/wah > MXR Phase 90 > Boss reverb/delay > Fulltone Deja Vibe > DOD Buzz Box > Mesa Dual Recto > Mesa 4x12 cabinet (September 1998 Guitar Shop)

Willie Adler/ Lamb of God: ESP Custom w/Seymour Duncan (HB) > DBX compressor > Mesa Mark IV > Mesa 412 (March 2009 Guitar Edge)

Yngwie Malmsteen: Strat w/ HM3 pickups > BF-2 Flanger > Marshall JMP 50w MK II heads > (2) KORG DDL (DDL and Chorus) > Roland SDE 3K > Marshall 412 w/ 25w speakers. (GG.com, Guitar Shop Winter 95, settings taken from The Recording Guitarist by John Chappell)

Z Bathory/5 Finger Death Punch: BC Rich Assassin (HB) > Diamond Nitrox HD > Digitech GSP1101 (FX loop) > Diamond 412 cab w/ V30s (March 2009 GW)

Zakk Wylde/Ozzy Osbourne, Black Label Society: - Les Paul w/ EMG HB > Dunlop Rotovibe > Crybaby > Boss SD-1 > Boss CH-1 > Marshall JCM 800 > Marshall 412 w/ 75w speakers. (Guitar Shop 94, GG.com)