FWIW there are also a few using a red box.
Posts by DonPetersen
-
-
it's not about advertising, it is about clearly labeling the source.
putting the extra info (bright cap) in the profile name was the right choice.thanks for editing.
-
while linking certainly works, embedding does not as of now.
-
please tag the profiles properly, so it is evident in the rig exchange that they were not produced with an amp, but with a simulator/modeler.
thanks.
-
what is your profiling signal chain?
-
yup the SAG control is quite powerful.
and
[Blocked Image: http://1.bp.blogspot.com/_REkgXByDyuU/SVkpo5Z24wI/AAAAAAAACD4/_AHcj8jnLB8/s400/caps-lock-no-tnecessary-all-the-time.jpg] -
A decent brickwall limiter at the very end of the output stage would be nice for playing live. It can really help cutting through a mix especially if you use a lot of different sounds. However, a real limiter required a few msecs of look ahead which has an impact on the latency and thus the playing feel. Could be great though if you only had that kind of limiter on the master XLR outputs that go to the FOH, while your monitor out for the stage sound would be unaffected by this.
honestly, this sounds like a job for the FOH mixer to me.
there's no way a guitarist can judge the mix from the stage.
and even if he could (IEM with he same feed as the PA) he'd completely ruin it, after all: guitarist...a saturation/tape compression effect on the other hand has a certain appeal to me (remember Magneto?)
-
a limiter is just a compressor set to a high (>10:1) ratio and very short attack time.
just use the compressor post stack and set it accordingly, if you feel the need to limit your signal.
guitar amps are highly dynamic beasts and the Profiler captures this behaviour nicely, which is why I wouldn't want to limit my signal at this point (if ever).
careful reduction of dynamics should occur in the mixing stage - if needed at all - slamming a limiter on everything might sound impressive at the beginning, but ultimately yields signals that are harder to mix, since you cannot un-compress. -
I have the Eleven Rack and I have to pay for updates to new amps
firmware updates (new features, new effects, occasional bug fixes) to the Profiler will always be free of charge.
since it's release early this year, two rig packs, each featuring around 45 new profiles were released.
in addition to these 'official' profile sets, there are currently over 2000 user profiles in the rig exchange, which can all be downloaded and played fro free. -
Hi, do you mind uploading a profile with nuno's settings?
this profile was uploaded almost three weeks ago.
please read the posts of a thread / check the rig exchange before requesting.
it's common courtesy.thanks.
-
there are also a bunch of great ADA MP-1 profiles in the rig exchange.
one of them is even named 'Nuno'.the rest is up to you
-
the artificial harmonics on the Profiler are just fine. I use these a lot.
If a modeler makes it seem easier, then that's probably due to the highly compressed nature of these devices.artificial harmonics are all about technique, if properly executed you can get them on an acoustic guitar - no problem.
The concept that a certain amount of gain or even certain amps are needed to pull these off is initially flawed. -
Welcome!
-
the manual is a highly recommended read.
-
-
I just managed to play these (so many profiles...)
There are many great profiles out there, but these really speak to me.
Thanks, excellent work! -
thanks, but only registered members can see attachments.
nevermind.
-
cool,
please repost the screenshots. -
FWIW there's also a profile of a real Evil Robot in the Rig Exchange, the one from the Anderton's review.
-
For more exact adjustments is the 'Studio EQ' in the KPA.
This one has only 3 bands (low, mid, high) but the frequency of each band can be freely adjusted....the Studio EQ has four bands:
low shelving
2 fully parametric bands (over the whole frequency range)
and high shelving