Posts by nightlight

    <p>EpiphanyOfMusic, here's what you need to know:</p>


    <p>1) If you set your SPDIF output to Guitar/Stack, you will get the dry DI signal on the left channel and the wet signal in mono on the right channel</p>


    <p>2) In Cubase, set up a stereo input pair for SPDIF left/right.&nbsp;</p>


    <p>3) Create a mono track and set the input for this track to SPDIF left</p>


    <p>4) Create another mono track (for monitoring purposes) and set this to SPDIF right. Turn on input monitoring on this track</p>


    <p>5) Record your DI signal (i.e. the first track)</p>


    <p>6) Go to input settings on your Kemper. Set the input to SPDIF, not front input</p>


    <p>7) Create an output bus in Cubase for SPDIF. Doesn't matter if it's stereo or mono, I'd use stereo</p>


    <p>8) Go to your DI track. Change the output to SPDIF bus. Remember, this should only be done after recording your DI track so that you can audition on your headphones</p>


    <p>9) Create another track in Cubase. Remember to change your output for SPDIF now. You should change it to stack for an effected signal without delay and reverb or master stereo for a wet signal.&nbsp;</p>


    <p>10) Arm this track and press record. You should set the output for this track to your speaker channel so you can hear the results of your recording.&nbsp;<br />
    &nbsp;</p>


    <p>This should get you started. There's a reamping guide somewhere on these forums. Do a reading of that if you want to get optimal results from reamping. &nbsp;</p>

    Great. I wish there was a better way to do this. If you had a wide open space, I think the volume difference as you raised the master volume would be more perceptible. You'd also get better results by moving the Zoom recorder further away, which would prevent its mic from getting overloaded. Nevertheless, I didn't see much difference in the tone as you raised the volume, so a plus point right there.

    How would a global control solve this purpose any differently from the current noise gate? I don't think the current noise gate functions differently at higher volumes, it's very different from other devices, pretty much set and forget. For example, if I set the noise gate a little higher because of some noise on my distortions, I don't have to change it for my clean tones, it definitely does not impact the sound or the sustain if you set it at a reasonable level.

    This I'm not certain of, as it is supposed to be a plain Line Out for use with another power amplifier or a speaker emulator. Although there could be some "impurities" running from it that wouldn't be there from a DI box inbetween the head and the cab.


    Thanks for the clairification, just went through the manual and it is advertised as a line out pre-power amp and post preamp, so it does not appear to have speaker emulation of any kind. Still, if you A/B profiling with the line out vis-a-vis a DI box, you might notice some differences, but what do I know?


    The definitive answer of course is Thumas', you'll have to get that annoying noise gate out of the way to profile accurately.

    It did and I used it, but on the other hand, the noise gate on the Kemper works much better and in a different way than the GT-8. I can't imagine how a global parameter would improve things in that respect. Any situations you think it would come in handy?

    Never mind! Rig uploaded in the exchange! It's called "FX Reverberator CK 0" and is right at the top as of now. The creator of the rig in the exchange is C. Kemper, hope I didn't break any rules on that one.


    For the maximum effect with this profile, choose your starting note carefully. That is all! ^^


    Tweaking tip: I'd start with raising the feedback of the delay ever so slightly to 102.1 for a lighter effect. The upload I have made is identical to the soundclip I posted, with the exception of the profile being used.


    If you'd like the tone I had in the sound clip, just swap out the FX to the Morgan AC20 profile (also on the rig exchange). Cheers, guys! So happy to have made my first upload to the rig exchange :)

    Sounds like the keys in Floyd by my reckoning haha! Guys, I am having a little difficulty uploading this file. I have never done this before. I have completed tweaking and I got to say, the CK 0 rig makes this sound even better ^^


    Some help is required. I have the file on my Kemper and I want to upload via the librarian. Unfortunately, the option to upload is greyed out. What am I doing wrong? Is this feature not available?


    If so, how do I upload the rig? Create a backup, open the file, copy to my disk and then manually upload to the rig exchange from the website? Let me know.


    PS: The rig I'm using is the stock Morgan AC20 by former forum member rmpacheco. Just lock the FX, scroll to desired rig and save as a new profile.

    Sounds like a good idea, but I often get confused over user's needs to remain within the same profile while effecting changes.


    I'd much more prefer a tap tempo myself for the delay. Or even expression pedal control of delays. This kind of feature you suggested would work well with reverb on the other hand. But for other FX, I wouldn't see the purpose of this, since it would be more intuitive to call up a different performance altogether, imho.


    This does look like it'll be a forthcoming feature though, given the KFC's abilities to send NRPN commands, as mentioned by Paults. I'm not too sure it'll be in the way of preset recall, but I do think they're going to give us more real-time control of various Kemper parameters from the floorboard. Perhaps this won't be limited to the KFC, given jgastineau's report.