Hi All,
I'm currently looking at my Kemper setup as finding a LOT of profiles have too much high-end that does not translate well when playing on headphones. Using a wah lp before the amp and wah hp after the amp go a long way - but I'm starting to examine three things -
1) Kemper hook-up to audio interface (Edirol UA-25.)
Currently, this is just hooked up out of the master out 1/4" jacks into my UA-25. Each channel is hooked up using home-made patch-cables, previously used for connecting me Eleven Rack to Torpedo IR loader. Would a jack > XLR make any difference to quality? I use my audio interface 99% of the time when jamming with tracks when playing with the Kemper.
2) The guitar itself
LTD EC-1000 with SD Black Winters. Using a BKP paper and oil jensen capacitor. If I'm experiencing a lot of unwanted highs with the Kemper, could swapping the tone cap help tame them?
3) I just can't stand SM57 mics...
Sure, they might sound great in the mix, but for solo guitar play I'm simply not a fan. Thinking back to my Eleven Rack days, I never liked the representation of the 57 then - I always went to a Ribbon 121 off axis, or Condenser 67 / 87 - and the Dyn 421.
So, as a non-amp owner - I'll start swapping cab patches out for those type of mics. I might even try using the updated cab converter to run with the new f/ware 3.0 when it hits.
If anyone has any other suggestions, please let me know. And share your thoughts on the above - I'm not giving up on the Kemper, just aware it's presenting a LOT more high energy/frequencies than my old Eleven Rack. It's these I want to tame, to just get back to enjoying guitar. Another good move would be to lock the lp/hp setting and scroll through presets to audition them, as the grain / distortion of the 57 up close and personal just grates me.
Cheers,
-Tonerider