Maybe some users are wishing for a KPA that results in a profile with the linearity of a modeled amp, like in the Axe. Is that even possible? I don’t know. Would it make my musical life better? Well, there’s no way for me to know.
So far, beyond experimentation, linear controls on devices that don’t sound as good as the KPA haven’t lured me to the competition. If Kemper could make this happen, while staying true to their best tone priority, I guess that could be cool.
But in the real world, the linearity of tube amps usually results in more people who don’t know how to dial them in making them sound bad, not the opposite.
Same with effects. The internet is riddled with unattractive delay and reverb tails you’d never want to hear on a “real” record, exampled proudly in the name of supposedly “great” effects. Sorry, that’s the internet not music.
Unless there’s a true musical purpose, guitar sounds the best, sits best in a mix, drives the beat most successfully, etc .. dry. Dry. Or at least with the appearance/perception of a dry tone, even if there are subtle modulation and time-based elements incorporated.
Since day one, there have been great tweed, blackface, British, etc profiles. Over several years the KPA fw has been streamlined and profile switching and other utility aspects of the device have been improved, that’s true.
And yes, if this guy CK is motivated by science and design and ultimately by sound to evolve his concept, I’m confident it would be an inspiration and I’d want one. But a new device inspired by market chatter and manufacturer one-ups-manship, and ultimately by money, which attempts to be everything to everyone, this would strike me as a deflating development. I have always rooted for Kemper to make money, but I hope he/they continue to do it his way.
*At least, once they create an easy, streamlined, full-featured, mostly bug-free editor.
Also, check-out that Daniel Lanois rig rundown, the one where he’s mostly on his pedal steel and then a bit on a 50s Les Paul with p-90s. His amp is a tweed Deluxe, and his effect is an early eighties Lexicon delay—a guitar setup with a pretty miraculous tone that, at the time the segment was filmed, he hadn’t changed in twenty-five or thirty years.
The legacy significance of digital gear, some will argue, is equal, in its own way, to vintage amps and instruments. I like both.